What Is Creative Photography?

Creative photography is a wide open field for all people. Honestly speaking, there’s no straightforward definition of the term, as a good number of people think of a creative photo as something that’s both abstract and out of focus. Others simply think the term “creative” is just a fun way to praise an overall bad photo. But what would be the next best thing that can define creative photography for us? Some artists think of creative photography as something that contains extra elements which are used to improve the original version of the photo in a creative way.

If you noticed, that definition has two very important aspects which make a big difference between a creative photo and an everyday photo:

Extra Elements, which are mainly outside of the regular process of taking a photo, and have plenty of space for interpretation. Creative minds always include some simplistic kind of workflow in photos, and they can be as simple or as complex as you’d like. The main goal is to simply get only the best out of a single photo.

Intent, or the intentional use of extra elements. When taking photos, photographers always lack that extra creativity. This is why getting good camera exposure will never make a photo look or feel creative. But the intentional underexposing with a goal of getting a darker image does add an extra touch of creativity.

When capturing a well exposed image of anything, no artist will consider it as a creative sample. If you’re asking yourself why, you should know that it’s because nothing outside of your normal photography workflow was used to take the image. As good as your location, lighting, timing, and all other real life factors are, you just can’t bring out the colors and other details of an image without good post-processing skills.

Once you compare a non-stylized photo with something taken under harsh light, a shallow depth of field (DOF), and the rule of the thirds, you can create an image that will get your audience to dream about whatever your image showcases. With that approach to photography, not all artists will admit that your work has a creative touch, but when you take the definition highlighted above, the extra elements and the intent can be nature itself.

Of course people will always differentiate creative and non-creative photography, but just like art, there is no pattern that will direct you in any way whatsoever. There’s no definitive answer to what makes a photographer creative, because unlike the technical side of photography, which has a clearly defined workflow, the creative part doesn’t have it. That’s the more challenging and exciting part in creative photography, and that is also why people think of learning photography as something they spend their whole lives on. Even though you can grasp knowledge of the technical side of photography, it’s the creative side that will demand you to always look for new ways of accomplishing your goals.

The unfortunate thing is that almost nobody can ever give you a straightforward workflow on creativity. The only two things you can work on are careful observation and thinking outside of the box. These two methods are absolutely mandatory for capturing creative photos.

The best practices for capturing an image ready for a creative touch include improving the frame’s composition by removing all elements around it that are distracting to the eye (such as trees or buildings). The end result will, of course, look dull and boring, even though there are no technical errors on the image. It can take as little as a sea wave to make a picture look stunning, and it’s a completely natural occurrence.

Tips For Taking Nature and Wildlife Photos With a Digital Camera

Understanding how ISO and aperture speeds affect the outcome of your photo is also important.

To shoot brilliant landscapes, using a wide zoom lens is the best. To shoot amazing closeups of wild flowers, a macro lens is suggested.

Although a point and shoot camera is quick and easy, and can take great shots, you won’t be able to shoot moving water, star trails, or light trails unless you use a camera that will choose and set all the exposures for you and has a zoom lens.

While photographing wildlife, take lots of shots. Remember animals aren’t going to stand still and pose for you, so you will have lots of blurry shots. This is the beauty of digital cameras, you are not wasting precious film or money in developing blurry shots! When you shoot animals and birds a good rule of thumb is to focus on their eyes. But be careful not to get too close, wild animals can become dangerous if they feel threatened. Sudden movements can drive animals away, learn how to approach them. Remember, you are on their territory! Considering all of this, the best way to shoot wildlife is with a telephoto lens.

If you don’t have the funds to travel to Africa to join a wildlife safari, why not try the zoo, your local park or botanical gardens.

Don’t forget your tripod… this is often overlooked as a necessary accessory. Most tripods have a bubble level to ensure that the tripod… and therefore, your shot is level. Using a tripod can improve your shots immensely, especially when you are shooting landscapes.

Always be prepared, don’t miss out on an opportunity to take that perfect shot… don’t get caught with a dead battery or full memory card. You should always keep an extra fully charged battery and extra memory cards in your camera bag.

A couple of the best times of day to take photos is early in the day or later in the day when the sun is low. The lighting produced is soft and warm. Lightly overcast days are also good days to shoot, as your subject will still be illuminated.

Amateur to Professional Photography

Every Camera/DSLR owner who opts for Photography as a career choice has to make this choice one day or the other.

Here I share my personal experience as being a Professional Candid Wedding Photographer for more than 2 years now, this article applies to all the vertical of Photography such as ‘Wildlife or Fashion Photography’ or any other.

• You have to start experimenting- You cannot getting amazing pictures by applying old set of rules in Photography and poses. Get out of your comfort zone and explore different ideas and defy the traditions.

• Find Your Niche- Not everyone can do everything, find your sector in Photography, find what makes you feel happy and will it be able to put food on your plate.

• Learn to say no- This is one of the major problems I personally faced, people expect you to shoot them for free! Answer is NO, that’s what makes you a professional.

• Start Planning-Planning is a very important part of photography, a good photographer is always ready for any moment in live shoot. If things can be pre planned it is highly recommend to observe and think what can be done and how it can be done. Not every client wants you to experiment on him/her.

• Love your work- Love your work stop listening to the crowd Period, Specially in India where no profession is respected except Civil Services, Govt. Professionals, Business Tycoons and Ministers of course. Let those things not get into your nerve. Believe me no other profession is respected here at least by old aged persons and bureaucrats. You may be the CEO/Chairman of your company but still a Job at MNC is considered the best.

• Invest money on gears and time on skills- Yes money has to be invested on buy-in high end gears, because after a level you reach a high quality gear is required to cross the amateur hurdle and to get the professional look and feel to your work. Invest time on learning new skills and practice a lot. YouTube is the teacher for getting new ideas and experimenting.

• Keep your rates competitive- Your work defines you, but do not demand very high or too low, ultimately it’s the money that food and amenities which satisfy our daily appetite

• Market your business well- Market your photos well, have a copy right and avoid Facebook promotions frequently. Invest more on building a quality and lite website. Try to be updated on social media like Facebook, Twitter, Instagram, Pinterest, Tumblr etc. This helps in keeping brand awareness

• Last & Most Important- Create your own unique style of photography aka your very own signature style, market yourself uniquely and do not try to defame other photographers.

Tips For Taking Better Photos

1. Get in close

It was the famous photojournalist Robert Capa who once said, “If your photographs aren’t good enough, you’re not close enough.” He was talking about getting in amongst the action. If you feel like your images aren’t ‘popping’, take a step or two closer to your subject. Fill the frame with your subject and see how much better your photo will look without so much wasted space.

2. See the light

Before you raise your camera, see where the light is coming from, and use it to your advantage. Whether it is natural light coming from the sun, or an artificial source like a lamp; how can you use it to make your photos better? How is the light interacting with the scene and the subject? Is it highlighting an area or casting interesting shadows? These are all things you can utilise to make an ordinary photo extraordinary.

3. Use flash during the day

You might think that you should only use flash at night time or indoors, but that’s not the case at all. If it is an extremely bright day outside and the sun is creating harsh shadows on your subject, switch on your flash. By forcing extra light onto your subject, you will be able to fill in those ugly shadows and create an even exposure.

4. Read your camera’s manual

The best way to know what to do with your camera is to actually read the manual. So many people miss this really important step on their photographic journey. Every camera is different, so by reading the manual, you’ll get to know all the amazing things it’s capable of.

5. Framing

This is a technique to use when you want to draw attention to something in your photograph. By framing a scene or a subject, say with a window or an archway, you lead the viewer’s eye to the primary focal point.

6. Shutter speed

Being aware of your shutter speed means the difference between taking a blurry photo and a sharp photo. It all depends on what you are after. If you are shooting a sporting event or children running around in the backyard, you probably want your subjects to be in focus. To capture fast action you will have to use a shutter speed over 1/500th of a second, if not 1/1000th to 1/2000th. On the opposite end of the scale, you might want to capture the long streaks of a car’s tail lights running through your shot. Therefore you would change your camera’s shutter speed to a long exposure. This could be one second, ten seconds, or even longer.

7. Shoot with your mind

Even when you’re not shooting, shoot with your mind. Practice noticing expressions and light conditions. Work out how you’d compose a picture of that scene over there that interests you, and what sort of exposure you might use to capture it best.

Benefits of a Photo Booth

From wedding receptions to a birthday party, photo booths are a fun option. People love posing for it and it has become a new trend these days. Almost every event includes a photo booth for their guests these days. If you want to throw some birthday party or even any business event then these can make it memorable one. It is not just about food, dance and music but people want good photographs to end and label the party as a fun event. People want to show their pictures on social media for a hype and this can be highly beneficial at your end. Here are some benefits of including them:

1. They can turn any boring event into a fun:

It can be any kind of party viz weddings, birthdays, New Year bashes, photo booth turn every occasion into fun. Almost everyone in this technology savvy generation is keen on clicking pictures and updating on social medias and what do we do? Give them a chance to showcase themselves. It also makes a social gathering less boring.

2. It requires zero efforts:

It doesn’t require some extra, huge efforts from your side. You can easily let someone attend the booth for roughly three to four hours. Any staff member would be eager for the job as it doesn’t require any effort.

3. Choose some classy props:

You can render these photo booths more interesting by adding some funky props like smiley’s, glasses, a decorated frame and let people revel and click. These props will make it a fun task and the party will eventually be a huge hit.

4. DJ addition:

What can one do more with props? Props and DJ will be a huge merriment for the guests. You can pose as well dance with the props. Some live performances will also render them and you an amazing host.

5. Photo booth customization:

You can choose and customize a booth which matches the theme of your party. Choose a palette which matches with your theme.

6. These are not expensive:

Gone are the days when photo booths were just a part of mega budget parties. Now, these do not cost much. Depending on the length of time, they are affordable. There are a lot of discounts and offers available for the same.

There’s no need to panic on throwing a party people will love. You can spice it up by making photo booth a part of your event. People will definitely revel and thank you for the occasion.

How Would You Choose a Matchless Photographer for Your Events?

The time has arrived and when you want to cherish your special moments and it is time you find the best Photographer. You know for sure that capturing milestones of life, Birthday events, new babies being welcomed in the family, Product shoot and the weddings would not do with the whole “point and shoot” does not do justice anymore hence you certainly need something much more. With the digital photography having revolutionized in the recent years it has become an easy job for any enthusiast who is unskilled to lay hands on the camera. Perhaps in addition to that individual possessing professional potential can be of great assistance to you. Here are essential tips that shall make you select the best.

• Quality control-Portfolio check

Any Photographer that you eventually select must be able to properly expose the image they click. This is because overexposed images often have white highlights that burn out while the underexposed ones have shadows with overpowering darks besides muted tones. There shall be no highlights even, that rightfully capture the attention. Another very important thing to consider is that the photographer must be able to convert photos into black and white, sepia and all the like. Your photographer must be capable of adjusting the right amount of sharpness and saturation so that either of them does not have the photos overcooked.

• Referral Check

If you are looking for a Photographer then ask your close acquaintances and friends if they know the best one around. Even though photographers might have the best photos on walls, however, you will soon know if they are experienced well charge the price that is over inflated or is mercurial. Hence, paying attention to the mouth referrals is the simplest thing you can do.

• Price checking for products and sessions

For any Industrial Product shoot affordability always tops the list besides great quality photos. Hence, you must be sure enough to check costs involved for both post-shooting of the products on display and session fees. Any professional Photographer will have a layout of costs in front of their clients so that you are not startled by hidden surprises.

• Digging deep while checking portfolios

When the online galleries of any potential Photographer, is checked, you must look past the initial photos. It is understandable that they give it their best shot hence best images first. You need to dig in a little deeper for finding that quality of photos may disintegrate. Thus, look for the one who has a wide body of experience. Also while having a look at the portfolio you must have a look at how their personal websites have been designed.

– Points to Consider

With all the points mentioned above you must always take into account the fact that a great photographer shall be able to present photos true life colors. Finally, the most important thing is the editing or post-production of the photos so that overall picture is enhanced. Hence, any photographer you select at the end must know the rules of good photography, before breaking them.

5 Tips to Make Breathtaking Photos

There is no single rule of thumb to follow when it comes to making a stunning and professional photo. The only thing to know when you first get started in photography is that it will take some time before you are able to take stunning shots.

But without general guidelines you may wander off the path quite easily. This is why we have decided to provide you a list of things to pay attention to. If you follow it through, you will be able to focus your efforts on learning how to take pro shots. Let’s see what we have in store for you.

Pick Your Spots Carefully

If you take your time to review the stunning photos captured by your colleagues, you will start to discover certain patterns. There is a particular one that emerges from the pile of the miscellaneous others – unique perspective.

You can easily notice that some of the photos of world-famous architectural masterpieces are simply more stunning than others. Why? Because a photographer picked an interesting spot to take photographs from.

Practice Composition

Every great photo follows the rules of great composition. If you are completely unfamiliar with composition in photography, the first thing you should learn is the rule of thirds. You should look at your photo as if were a tic-tac-toe (3×3) board. If you check the work of your colleagues, you will soon discover that they place interesting objects on the intersection of these lines.

This bit takes a lot of practice. Start by using the grid system most DSLRs and smartphones already have. After some time, you will develop an instinct to place the objects of your photography spontaneously in these spots.

Play with Lighting

Lighting is also one of the factors that plays a crucial role in the making of a stunning photo. If you are a beginner photographer, you should start by learning a few tricks, such as when to position the object behind and in front of the light source, how to leverage lighting to emphasize something on the photo, etc.

If you like to take photos of landscapes and city scenes, try focusing your photography efforts on taking pictures during the golden hours. During the early morning and evening, the light is perfect for photography, and there are many pro photographers who swear by this rule. If you take photos indoors, you will have to invest into some lighting equipment to play with.

Photo Editing is a Must

All of the stunning photos that have been captured in the modern history of photography were tampered with. Lightroom and Photoshop can make a stunning image out of the ordinary and “meh” photographs. You should definitely start post processing your photos if you want to end up with diamonds in your hands.

On the other hand, many photographers don’t have time or simply don’t want to get involved in image editing. If you belong to this group of people, you can outsource your image editing to professionals with years of experience in image post processing software.

Start Learning Exposure

We have saved the hardest for the end – exposure. Since you can control the exposure with ISO, aperture and shutter speed, you will have a lot to learn about how each of these affect your image, and eventually be able to take incredible photos.

Learning exposure is very important because you will end up taking photos in tricky lighting situations, and that’s where your knowledge will really shine. If you want to see how exposure affects your photos, load them into any image editing software and check the histogram. The graph to the left indicates that the image is too dark, while the graph shifted to the right indicates the opposite.

There you go. Now that you know what you can do to ensure your photographs look stunning, have a go at it. And remember, nothing beats raw experience and constant practice.

Colors Theory For Photography

One of the essential elements of photography is color, and it’s the most overlooked element. We spend all the time in thinking about the framing, rule of thirds, selecting between vertical and horizontal compositions. But the shades blends used in a picture are as essential as any other element in drawing the attention of the viewer. You should know the primary shades theory for photographers to make your images stand out of the crowd.

For years, it’s been known that hues has physiological and emotional effects. For example, the red color is revealed to raise the heart rate; blue is linked with a calming effect. Color is used to create balance, make an element stand out from a background or propose chaos or conflict.

Let’s understand the color theory of photography:

Primary Colors

Many of us know about the primary shades, we all have learnt about them in school. They are the colors that can’t be made by mixing two colors, they are primary colors of a color wheel. While a standard artist color wheel makes use of red, yellow and blue as primary colors many photographers think regarding RBG (red, blue and green) color spectrum.

Secondary Shades

Secondary colors are a result of the mixing of primary colors. On the photographers color wheel, these shades are orange, purple and green.

Tertiary Hues

Tertiary colors are created by combining the secondary and primary shades. For instance, when using the first yellow, blue and red hues wheel mixing the orange and red or green and blue would result in tertiary hues.

Complementary Shades

One of the most common links is between the additional hues. Complementary colors fall in the opposite from one another on the color board. These colors develop high contrast and grab the viewer attention.

Analogous Colors

Analogous hues are next to each other on the wheel. Making use of similar shades create a more harmonious shade scheme and low-contrast.

Monochromatic Hues

The monochromes are usually referred as black and white; monochromatic shades are made from hues of just one hue, for example, several different tones of blue. Monochromatic shades are low in contrast and usually create a soothing look.

This article just gives a brief knowledge of the color theory and how to work with it. The more you know about shades and their impacts on your pictures, the more you can control your composition and become a pro photographer.

A Strange Course of Photography

What do we mean when we say we have made an experience?
How to photograph and photo-retouching of food images to follow the rules of its archetypes.
The experiences in my life I have always held for me jealously. It was a bit ‘my system to make a barrier between me and the other because there is always someone who wants to be your own business and to tell everything they have heard from you, so my experiences were as a result, it became insignificant. So I learned to lie about what I was doing it my mood about all my experience. In fact, it is very hard to describe their own experience and make it clear to your listeners exactly as you saw you because it is something that touches some of our internal emotional strings. Ropes that are unique in all of us. An experience to remember because it is accompanied it our emotions experienced at the very moment in which we have had that experience. And tell our experienced it downgrades to a simple image that others have of you. But you can do an analysis of what and experience to understand how it binds to our ability to live, to love, to communicate and to understand things. You always have to start from knowing what you want to understand, know what they do not teach in school not because it does not exist as knowledge, but it seems that it is not important to know what we should know all, for example on key natural laws of our universe, on his geometry, on his lack of perfect symmetry, the symbology on the archetypes, what makes us sensitive and allows us to understand things, etc. etc… But you can do an analysis of what and experience to understand how it binds to our ability to live, to love, to communicate and to understand things. You always have to start from knowing what you want to understand, know what they do not teach in school not because it does not exist as knowledge, but it seems that it is not important to know what we should know all, for example on key natural laws of our universe, on his geometry, on his lack of perfect symmetry, the symbology on the archetypes, what makes us sensitive and allows us to understand things, etc. etc…

We must always start from the origin of what you want to understand and then try to necessarily start from the archetypes of all things. What is an archetype? Basically, it’s the idea of something. It still has a meaning, not yet, but it has the idea of how to that particular thing. All we know of this universe we live in is recorded in our mind in the form of an idea how to be everything and these primordial ideas we have just called archetypes (a definition that is found abundantly on the Internet and on any dictionary). To explain their meaning and to understand why is there all this talk with photography I can give an example. We can use the food. What are the ideas of edible food, qualitatively good and palatable? To put it directly, we see what are the archetypes regarding food photography.

Well, first of all, I must be very saturated. Any other non-vivid colour would correspond to the exact opposite of what constitutes an idea of palatable food. Then it must have a lot of glitter on the surface, because this means that the food was freshly cooked and then, in addition to having the right degree of humidity, especially fresh. And finally the last archetype concerning the palatable food: is very good light to pass through the mid-tones. What does it mean? It means that if the light passes through the mid-tones (light has a spectrum, a range of frequencies, the mids are simply the frequencies that are in the middle), the food is soft, it is still young. But what exactly determines that it is a qualitatively good food to eat? And ‘where the light passes through the mids that the colours become even more saturated. As the light cannot make it cross the colours are switched off or become much less saturated. If you want proof, take a slice of butter and look at it through the light of a bulb. Or a hand, a part of your body. The saturated colour of our archetypes is the life, is all that is natural is healthy.

Anyone who faces food photography or photo-retouching of food unless it takes into account these simple archetypes does a poor job. You might even talk of meanings in photography because in this case, we would not have exceeded even the basics that are accessed by the inexperienced.

There is another aspect to consider. A photograph is processed using the RGB colour space that has the quality to contain many more variations for each colour of the CMYK colour space instead is used for printing. In practice, it means that the RGB picture can contain very highly saturated colours even fluorescent colours. Be careful because once you convert photos to print, fluorescent colours disappear and then the food to our eyes, instead of switching on freshness archetypes, we turn on the stale food archetypes.

Infinitely complex or evolved?- Digital photography

I would like at this point to clarify the difference between complex and evolved. In the chapter on I introduced the archetypes but even if I went in that direction I would complicate my story.

I would immediately arrive to discover that photography is geometry, a geometry that embodies archetypal meanings, symbolic, conceptual and especially emotional, but I risk to get into complicated for me as I already wrote it. But what I want to realize with these items, it is a constructive talk, always in that direction, but always constructive and without complications within the theme doing photography.

As an example of complication or evolution can be used in the advent of digital photography. Do you think the fact that the art of photography has gone digital is a complication or an evolution? The same comparison you could also do to the human race when you look at the West compared to African countries.

The photographic art actually always respects the same rules, a photographer artist never based his art on the knowledge of the computer or camera, but his art he uses the moment they look into the camera viewfinder and shoot! This is its art, namely being able to take at the moment, in the position and perfect brightness. So the evolution of photography in the digital is not an evolution in photography, but a complication because all the photographers have had to learn new technologies. If anything, one can speak of an evolution of the cameras. Nor does the fact that today’s cameras can take thousands of times instead of one is an evolution because the real artist photographer knows when to shoot and do it once. All other digital shots, they go down the drain.

The art has remained so since she was born, are the techniques, it is technology that has evolved. As evidence of this, I resurrected an old problem that had been at the beginning of the digital age.

For any analogue photographer was a humiliating moment the digital switchover. Once, before the digital, development occurred through chemicals and various processes on an exposed film from the light, that was, in the sense if they could not change a single part in the colours created by the original light. It was completely altered with the products. Today the same photographers who initially developed the colors or black and white in the darkroom, some of them not all, claimed that the computer does not use it and do not even want to learn to use it because at this point the people in front of a beautiful photography would have said that was also photo-retouched. Today I think we are all adapted to computer use, it can not do without if only for the size of the files, but at the beginning of the digital era as well. That is their fear that it could be diminished the photographer’s art urged them not to learn the use. Today the files of the images come from the camera just as numeric values, then the computer with a mathematical calculation turns them into as many numbers that the computer reads them this time as three light channels. Red, green and blue. And this product at this point can be called the true original photograph, similar to the one that came out on film from the analogue camera. So there is a process that does the calculation computer to translate the sequence numbers (8, 16 or 36 bit), in bright channels and anything that can be done after this time with a computer becomes photo-retouching. But there is nothing more wrong. That is their fear that it could be diminished the photographer’s art urged them not to learn the use. Today the files of the images come from the camera just as numeric values, then the computer with a mathematical calculation turns them into as many numbers that the computer reads them this time as three light channels. Red, green and blue. And this product at this point can be called the true original photograph, similar to the one that came out on film from the analogue camera. So there is a process that does the calculation computer to translate the sequence numbers (8, 16 or 36 bit), in bright channels and anything that can be done after this time with a computer becomes photo-retouching. But there is nothing more wrong. That is their fear that it could be diminished the photographer’s art urged them not to learn the use. Today the files of the images come from the camera just as numeric values, then the computer with a mathematical calculation turns them into as many numbers that the computer reads them this time as three light channels. Red, green and blue. And this product at this point can be called the true original photograph, similar to the one that came out on film from the camera. So there is a process that does the calculation computer to translate the sequence numbers (8, 16 or 36 bit), in bright channels and anything that can be done after this time with a computer becomes photo-retouching. But there is nothing more wrong. Today the files of the images come from the camera just as numeric values, then the computer with a mathematical calculation turns them into as many numbers that the computer reads them this time as three light channels. Red, green and blue. And this product at this point can be called the true original photograph, similar to the one that came out on film from the analogue camera. So there is a process that does the calculation computer to translate the sequence numbers (8, 16 or 36 bit), in bright channels and anything that can be done after this time with a computer becomes photo-retouching. But there is nothing more wrong. Today the files of the images come from the camera just as numeric values, then the computer with a mathematical calculation turns them into as many numbers that the computer reads them this time as three light channels. Red, green and blue. And this product at this point can be called the true original photograph, similar to the one that came out on film from the analogue camera. So there is a process that does the calculation computer to translate the sequence numbers (8, 16 or 36 bit), in bright channels and anything that can be done after this time with a computer becomes photo-retouching. But there is nothing more wrong. green and blue. And this product at this point can be called the true original photograph, similar to the one that came out on film from analogue camera. So there is a process that does the calculation computer to translate the sequence numbers (8, 16 or 36 bit), in bright channels and anything that can be done after this time with a computer becomes photo-retouching. But there is nothing more wrong. green and blue. And this product at this point can be called the true original photograph, similar to the one that came out on film from analogue camera. So there is a process that does the calculation computer to translate the sequence numbers (8, 16 or 36 bit), in bright channels and anything that can be done after this time with a computer becomes photo-retouching. But there is nothing more wrong.

E ‘can still perform a development of the photo without changing the numerical values of the same, that is, without performing editing. E ‘possible with a Photoshop technique to perform a second development changing what has been achieved in the first. This is not photo-retouching because they are not altered the colour information contained in the three channels. A real shame because maintaining this confusion, that is not addressing this complication at the time, has only contributed to downgrade the category. This method I learned from the man who is internationally regarded as the father of colour correction, Dan Margulis. Dan Margulis has always used Photoshop and knows every secret…

Of consciousness and colours Geometry

But what it does that have to do the technology (and science) with human consciousness and (therefore spirituality)? What has to do primarily a photography course with human consciousness? When we hear that word, they were taught to think of religion to Catholicism if we are Italian, which means being bigots and even a little ‘annoying, because if we are, we are also moralists in the sense that we preach well but we scratch about very bad and there have inculcated that speak of consciousness is a big waste of time as well as much of a hassle. It is not marketing, it’s not something you eat, is not money, and above all is not science, and therefore, what is the use?

I disapprove totally.

As I mentioned earlier, we live with no one teaches us that between religion, or spirituality (I prefer the latter term because with religion we enter more specifically and complicated) and science there is a deep bond. Deepening these arguments one can not see a relationship difficult to ignore. I began to introduce the archetypes, talking about food, but I’ve only talked about archetypes thousandth class. The basic archetypes are little more than twenty, beginning with those who speak the sacred geometry of our universe. Leonardo certainly knew them as the Golden Spiral, the Vitruvian Man, he drew them precisely describing our geometry. A unique geometry throughout the universe. The number Phi, the Vitruvian Man, the Golden Spiral, the Mandala, the Fibonacci sequence, the Mandelbrot set and consequently the fractals, the Julia sets that show us how the Golden Spiral can draw all things in the world we know, everything coincides and describes only one geometry, our. Among all these archetypes, which basically are few, there is the first that could be precisely the idea of ​​geometric existence (because geometrical described by geometric archetypes) of our consciousness. After Consciousness is energy, modern scientists say it also, and it is energy occupies a space that must necessarily have a geometry. I say that could be the description of what in essence is consciousness because no one has ever tried this, but I would get with simple observations. Only Dr Malanga to my knowledge, scientist and chemist and physicist genius, I met many years ago during a conference on the Super Spin, went on to explain consciousness through the archetypes. I will not pretend to do the same thing now I mean, I would not have either the skills. It ‘a process that may be able to make a longer because of very complicated time. So instead of wallow in an attempt to show that the face of consciousness than simply Matches between archetypes, I step back and I look again all over again trying not to stare any complexity.

You could also consider the quantum physics that states that only by taking into account the existence of the observer consciousness, you can explain certain laboratory experiments. But in addition to being very complicated, I find it rather boring and I do not have a laboratory capable of using photons for today.

Instead, we offer our observation skills that not even centuries of Inquisition and other wars of all kinds have been able to take off. Our common sense and Treccani says common sense (or bonsènso; most com. COMMON SENSE) sm [expression cast fr. bon sens]. – natural Capacity, instinctive, judging uprightly, especially in view of practical needs. Now tell me if our common sense, it should not be an option for anyone, it is not really our conscience?

The word consciousness, according to Jung, accurately defines what remains as a result of having had a positive and constructive experience. Any experience long as it is positive. There are many dictionaries from which I extract this meaning, but Jung, who knew something about the human psyche, defined the word conscience in this way. Technically it is what allows us to be different from others because everyone does their own experiences. What makes us different from the others that are in the first analysis, the consciousness born of the experiences we have with our parents when we are born, then the experience of the school, then for the experiences at work, with friends, with colleagues etc. etc. Where education is knowledge, and experiences are the conscience.

It ‘a little’ how to join the Spirituality and Science. We are made of these two components, why this nonsense of enemy makes in our history?

Yes, if we think about it, we are more aware of the areas where we have developed more experience, we are not where we have not developed, but it is also what others recognize us without this happening with a logical reasoning. We are a bit ‘as the works of art, if we are beautiful works we are nice people, if we are not it means that we have gained little conscience in our lives. It can also be inborn, of course, he inherited from the life of grandparents, great-grandparents and transferred to us as a form of memories and energy within us when we are born, but already born with two parents who know what love is, and grow with them, creates in us a certain (very specific and character) generous consciousness.

It ‘s a bit like photosynthesis, if you are born when you come nourished by light, grow up healthy and strong if you get nourished by you will be able to play the same love, and you will have a strong vitality, normal, but not so much in common our society. The consciousness is the thing that distinguishes a work of art by an artisan work done as it should. What on earth will the work of art that stands out from everything else done as it should? It contains aware of the meanings that arouse in us emotions can make us feel an experience observing the work itself. The work itself will watch and we look at it through the emotions that she always did well for us. In practice an artwork contains the author’s message, contains the meanings aware that the author himself wanted to impress in his work.

We all have a conscience, but we are losing the idea that consciousness is for us the most important thing in our lives. And it is true that every person, every animal, everything has its own consciousness. Although it may be little awareness of an object, as it expresses its use and that’s it, but it is always consciousness. Have you ever used a tool of another for the first time without knowing its true and proper use? beginning do not understand it, then when you see it used by the owner who has understood rather well the meaning, we understand well the meaning us. Seeing it used properly, it makes you recognize something about the object that only with our eyes do not see, of course, his conscious meaning. That is so simple and that’s all.

A particular person who has made it his unique technique a real art, he always said: it is foolish not to teach because the person who comes to us the same, that we can not even if unable to explain it. What did he mean by that, he meant that those who acknowledge that manages to get close to his art learn it, those who do not have it he cannot even if he explains. It ‘very important to observe this in us when we approach to photography, in its development and in the eventual editing. One has to understand well what we are led to be able to do a job with passion, love and perhaps with a “conscience.” If we can find our passion when we work we reload, rather than if we do something we do not like, we consume.

One thing that no one wants to learn, for example, in photography or in the photo processing is the use of colour spaces, ie the use of the colour geometry. But there is, it is a complication which required digital photography and does photography with a passion we have to understand what it is.

This is referred to colours, colour geometry, resulting methods of viewing and printing and its translators who are the colour profiles (on this subject they have called so many that even today only a few have really understood the use of colour profiles and colour spaces using Photoshop with its render engine).

Understanding the Rules of Composition in Photography

With the advent of the mobile phone and tablet, everyone seems to be taking photographs, and for many people all they want is a record of a holiday or family event or a special moment in their lives which they are happy to share with their friends and perhaps to look at some years later when it will bring back a fond memory of times past.

Some of us however want to take their photography one step further and turn it into a hobby which we can develop and improve. So we dispense with our point and shoot camera and stop using our phones and invest in a reasonably decent camera. Personally, although I had been taking pictures for almost 50 years, I only took it up as a serious hobby in 2010 when I purchased a Panasonic DMC-FZ38 prior to visiting Kenya on my first Safari.

To begin with, I looked at the 128 page manual, hardly understood a word, so set the camera to auto and went off on safari. I took some great photos but it was only after I joined a local camera club and started to learn about the art of composition that I began to actually look through the lens and think about what I was doing, instead of simply pointing the camera at an object and pressing the shutter.

Like me, I suspect that many new photographers get confused, or even totally put off, by such things as focal length, ISO, aperture, shutter speed, focusing, exposure, etc., etc., and while I believe that it is very useful to understand the more technical elements, I do believe that the most important element for a new photographer to get to grips with, is Composition. All digital camera manufacturers spend a large amount of time and money on software to help the user get the correct camera settings to capture that shot and, as I did initially, if you set your camera on auto, the vast majority of time you will get technically good results. However the one thing that no camera is able to do, no matter how much money you have spent buying it, is compose a photo that is attractive to the eye.

So what do I mean by Composition? Putting it into its very basic form, composition can be said to be the way to create a photo that is aesthetically pleasing to the viewer. Sounds simple doesn’t it? Google “composition in photography” and you come up with such results as:-
20 Composition Techniques That Will Improve Your Photos:
10 Top Photography Composition Rules
9 Top Photography Composition Rules You Need To Know
18 Composition Rules For Photos That Shine
5 Elements of Composition in Photography
5 Easy Composition Guidelines
The 10 rules of photo composition (and why they work)
12 Rules for Effective Composition in Photography: etc., etc.!

While you will undoubtedly learn by reading all of those articles, (and I would suggest that you do in time), I will concentrate on a few simple rules that I follow. Before I go further, while some of these are called rules, remember rules are there to be broken. What I am trying to do is to encourage you to think about what you are trying to achieve when looking through the viewfinder. I will start then with something that you have probably already come across:-

The Rule of Thirds.

Basically, if you imagine a photo divided into thirds, both horizontally and vertically, the main subject of the image should be where a vertical line cross a horizontal one.

Many modern cameras allow you to place a grid in the viewfinder which can be used to place the object where two lines intersect. While we are talking about the Rule of Thirds, it is generally best to place the horizon on one of the thirds, rather than in the centre of the frame, dependent on whether the main points of interest are in the sky or on the ground.

Leading Lines

These lead the viewers eyes into the picture either to the main subject or on a journey through the whole of the picture. Examples of leading lines could be a path wandering through the image, a fence line, a meandering road or a stream or river.

Symmetry

To demonstrate that the rules are no more than guidelines, the next one contradicts the Rule of Thirds. If your image is symmetrical, then it could benefit from being centred either on the horizontal, or vertical centre line. This works particularly well for reflections

Rule of Space

This rule is talking about giving the subject in the photo, space to move into the frame. This particularly applies to animals and vehicles. The object should have the most space in front of it, and not be right up to the edge of frame, giving it nowhere to go.

Rule of Odds

Generally speaking, it is thought that photos with an odd number of subjects is more visually appealing and natural looking than those with an even number, where the viewers eyes may flick around the image, unsure of where to settle. I tend to use the rule of odds particularly if taking a close up of flowers or the like.

I hope that I have given you a brief insight into composition and that when you next look through your viewfinder you will at least stop and think for a few seconds at what you are looking at and how the shot may be improved. But just remember, these rules, and all the others you will come across, are simply guide lines to help you go in the right direction, they are not railway tracks that you have to stick to rigidly. Finally I will end with the words of Pablo Picasso – “Learn the rules like a pro, so you can break them like an artist.”

Tony Murtagh, took photography up as a serious hobby in 2010 prior to going on safari to Kenya in the February.

He has had photographs published in the national and international press including the UK, France and Australia as well in the local press.

In January 2013 his photo of a ‘Three Headed Giraffe’ was a finalist in the Wanderlust Travel Photo of the Year in the Wildlife section. In May 2014, his photo of a black-backed jackal was included in A Field Guide to the Larger Mammals of Tanzania (Princeton Field Guides).